Ashish Joshi is probably the most artistic friend that we know. He has been learning Hindustani classical music for the last 10 years or so with a dedication that is admirable. He also writes Shayaari, has hosted radio shows in the Bay Area and in India. He added acting to his repertoire a few years ago. We watched his initial plays and yesterday, we watched what may be his finest hour yet.
The New Conservatory Theatre Center in San Francisco staged a play, Hijra, that has had a successful run. Yesterday was its final performance. In keeping up with my “just in time” image, we managed to see this performance.

The short of it is it was very good. The acting was quite professional as were the stage productions, the audience was diverse, the setting was initmate. The story was more like a good old Amitabh Bachchan movie. Humorous and melodramatic dialogue, but carried out with a panache that allowed the audience to enjoy the performance without feeling like the storyline or characterization was a bit weak.
The story is a study of a homosexual relationship. It is by a playwright from the UK called Ash Kotak. It tells the story of an ABCD (American Born Confused Desi) who falls in love with the son of a Hijra and they want to be together. The boy’s mother is looking for a bride, and there is a willing bride and her climb-the-social-ladder mother. The boy, Nils, can’t bear to live in India and wants to return to the US, where he currently lives but has a dilemma in that he cannot take his lover, Raj, with him to the US; since gay marriage is not recognized by the US, you cannot bring your gay spouse to the US on a spouse visa. They fake the sex of Raj and his passport and bring him into the US. Living together while hiding the truth from the prying eyes of their Indian neighborhood, how homosexual relationships can mirror their heterosexual counterpart when it comes to living together and allowing each other room to breathe whilst wanting to hold them as close as possible, a minor narrative of the story of Hijras in India and NRI uppityness are all explored leading to the final denouement which is a cop-out. But during the show, the sharp lines, the acting and storyline keep moving at such a brisk pace that one doesn’t need to dwell into the weaknesses, but can just enjoy the show and have a whale of a time. The show also didn’t pretend to be a serious discussion of gay life. The audience gave a standing ovation at the end.
Ashish plays Raj’s parent, the Guru Hijra, who longs for the good old days when Hijras had a free reign on the palaces, were confidants, diplomats and well-wishers during weddings. He did an commendable job playing probably the only serious role in the whole play. There are reviews of the play in Talkin Broadway, in San Francisco Chronicle and in and Beyond Chron, an alternative news daily.
Later on, we went backstage and took pictures with him, as proof that we knew him when he was still young and struggling
. On a sidenote, this was the first play where Ashish got paid. He’s turned professional



P.S: I look like a hungry Velociraptor thwarted by his prey’s looks from banishing his hunger













